missthis_ass: (009)
The Chosen Ones of the North -- a dumb name, even for a dumb cult, Chloe has to agree with Coop on that one -- have stopped sending her threatening letters. A normal person would probably be relieved, she thinks, to no longer have their bullshit dangling over them, but Chloe's a more suspicious person than that. The last letter they'd sent nearly two months ago, had alluded to October being a month of change, had listed all the ways in which she had failed to satisfy the group's demands, had directly threatened Nate as a way to punish her for that failure, and had assured her it would be the last time she heard from them until the time of blood and renewal.

Chloe doesn't quite know what that means, but she has to assume it's not good. At least Nate's no longer in their line of fire.

She doesn't give it much thought until October rolls around and even then, she doesn't dwell on it. The first few weeks come and go, nothing happens, and Chloe forgets about it again, doing her best to just keep up with the life she has here. It's not until she hears from her buyer that the compass has been stolen from his personal collection that she really takes interest again. The compass she had nearly died getting him. The compass the Chosen Ones of the North have been so obsessed with.

The same day she gets home to find a note stuck under the door of her flat. It simply reads, Nate's gone. Therese isn't.

Chloe goes without giving herself time to think. She gets her pistol and her knife, then grabs her phone and texts Coop on her way to Therese's flat. He'd asked her not to go off half-cocked, so she's not. She's checking on Therese first, making sure the threat to legitimate before she goes flying off to their hideout.

Therese isn't home, though. And the deadbolt on her apartment door is broken, the wood jamb shattered from the impact of the blow that had forced it open. She enters the apartment and does a careful sweep, but it's empty, and she's heading back to her car, calling Coop at the same time, telling him to meet her downstairs. She makes jokes and she teases him, but when it comes to something like this, there are few people she trusts as completely.

"They took Therese," she tells him once he's in the car with her. She wastes no time pulling away from the curb. "And they stole the compass back. The buyer is pissed." It's clear she doesn't care about the buyer at all. Her concern is all for Therese.
missthis_ass: (001)
Nate's gone and, truth be told, she'd kind of seen it coming.

It's not that Chloe had been expecting him to disappear, she hadn't been waiting for the other shoe to drop and she hadn't seen signs from the city that it was going to happen, but leaving is what they do. It's what they both do, so she's honestly a little surprised it hadn't happened sooner.

Were she anywhere else in the entire world, she'd just move on. Collect what few things matter to her, throw them in a duffle bag and catch the next plane out of the country to somewhere new. She'd find a job, she'd get lost in the work, and none of it would matter. But she isn't anywhere else. She's here. Stuck. Until she, too, of course, disappears eventually. Because she will.

It's what they do.

The worst part is cleaning up after him. Well, the worst part she'll admit to. The real worst part is the ache in her chest that reminds her of everything she's just lost, a man she actually loved, the one she thought spending her time committed to would be enjoyable instead of just a lesson in torture, but she's not about to say so to anyone.

Nate's gone. Crying over it won't help.

Still, he has a lot of notes left in his flat and she's sitting on the floor of his bedroom -- his, not theirs, she can't afford to think that way -- when she realizes she's going to have to move most of this back to her place. It's going to take a few trips down to her car and she knows she has to actually tell some people about Nate being gone, so she shoots off a quick text or two.

At Nate's, it reads. Do you have time to give me a hand with something?

To Coop, she doesn't add anything else. She can't tell him via text message that his closest friend is gone. To Therese, she includes Nate's address. Then she continues to sort through the papers and notebooks he's left behind.
missthis_ass: (003)
The bloody auction has been postponed twice already due to unforeseen circumstances, which Chloe knows to mean 'Darrow weirdness' and it's only now, finally, after all their work and research and leg work, the auction items have been moved from private and well hidden storage to a more public location.

Public might be overstating it a wee bit, but at least now they know where the damn compass is.

The auction is set for the weekend, Saturday night, and by Tuesday she has both Nate and Coop up to speed on every last detail of their plan. The new storage building is still monitored, but they've done a great deal of recon work and Chloe has no doubt they'll be able to get in and out without much problem. She and Nate have worked more complicated buildings than this and Coop comes with his own set of skills neither of them have.

Of course, that also means she may have to play mediator when Nate inevitably tries to compete with those skills, but she'll worry about that when the time comes.

Three weeks before they're set to break into the storage location, Chloe receives an anonymous letter, telling her she'll never be allowed to use the compass. Since she has no intention of using it, since she's only interested in selling it, she throws the letter away without telling the others about it and forgets about it soon after. No further letters come.

On the Wednesday afternoon before the auction, they're set to meet at her apartment to go through the plan one last time. When it comes down to the moment, she knows there's plenty they're going to have to wing, that's just how these kinds of things work, but she likes knowing there are as few potential issues as possible. And they've planned well, they know their route in, they know where to find the compass, they know their route out. Between the three of them, she's confident they've got this in the bag.

And the payday they're going to get at the end of it will make all the waiting worthwhile.

They wait until after midnight before moving to the location and once they're there, it's Coop Chloe sends to the door first. His skills, after all, come with lock picking tools she's never even seen before. Once inside she knows there's a second door and an alarm they'll have to bypass, but she trusts Nate with that. She's seen him climb higher walls than the one on the other side of this door, after all.
missthis_ass: (009)
She should have checked on Coop sooner.

It's not like she's been completely out of touch, she's texted him a few times, she knows he survived the rest of of the Purge after they'd lost each other in their escape from the warehouse. She knows, too, that he'd lost someone close to him and that's part of why she's kept her distance. Chloe isn't very good at sympathy. She's good at a lot of things and some of those things might even make Coop feel better, but she has no idea how to offer that or how to even talk to someone after they've lost a person they care about.

Truthfully, she probably shouldn't even know, but Darrow isn't a very big city and word travels, especially when the man killed had been somewhat notorious himself. Especially when his killer had wound up dead not long after by the hands of someone she knows.

It feels like something private and sensitive and she doesn't like knowing it, because knowing about it means she should do something, but her talents fall incredibly short of coming up with an answer. So for too long she does nothing.

Then one day it comes to her in the form of a newspaper article detailing an auction to be held in early January. She scans the story and she almost goes after the list of items being auctioned by herself before she realizes this might be exactly the sort of thing to make Coop feel better and it's easier, too, than showing up at his door with nothing but a bit of sympathy for him. Nate might not want to be left out of this, but she decides since this is still technically her score, she gets the final word of who accompanies her where.

And so she goes to Coop.

When she knocks on his door, she's holding the newspaper in one hand, tapping it against her thigh, and she has a case of beer in the other. Maybe it's not entirely about work, maybe there's a bit of comfort to be offered, but she has to start with alcohol.

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Chloe Frazer

May 2025

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